In L&D there is a widespread misconception that if you make a character bland, uncharacterised,or even not there, (by dint of putting the camera in the position of the protagonist), this willmaximise empathy. That isjust wrong. In this analysis I show how the Breaking Bad pilot episode creates a drug-dealing killer who isa sympathetic human being.

Episode 5, The Queen’s Gambit
Episode 5 features The Queen’s Gambit. In which I reveal how this exemplary show articulates point-of-view. There’s a misguided tendency in L&D to equate literal point-of-view with the creation of empathy. Point-of-view in drama doesn’t work like that and here’s why.