In L&D there is a widespread misconception that if you make a character bland, uncharacterised,or even not there, (by dint of putting the camera in the position of the protagonist), this willmaximise empathy. That isjust wrong. In this analysis I show how the Breaking Bad pilot episode creates a drug-dealing killer who isa sympathetic human being.

Episode 2, James Bond
Exposition is necessary in drama, but it’s a necessary evil. In the exchanges between 007and Q the Bond movies show how we can “make exposition into ammunition”with character.
