In L&D there is a widespread misconception that if you make a character bland, uncharacterised,or even not there, (by dint of putting the camera in the position of the protagonist), this willmaximise empathy. That isjust wrong. In this analysis I show how the Breaking Bad pilot episode creates a drug-dealing killer who isa sympathetic human being.

Episode 1, Line of Duty
Much of the BBC’s flagship cop show Line of Duty takes place around a table in meetings. This is often the setting for L&D dramas, so how can sprinkle some of their stardust over our productions?