Episode 5, The Imitation Game

GambitIn which I revealhow this exemplary show articulates point-of-view. There’s a misguided tendency in L&D to equate literal point-of-view with the creation of empathy. Point-of-view in drama doesn’t work like that and here’s why.

Rear Window is a classic movie and a technical tour de force. But it’s not the kind of technique that draws attention to itself. In this episode I look at Hitchcock’s use of the Kuleshov effect and explain the stealthy power of fundamental film technique that anyone thinking of making a video drama should be aware of.