Rear Window is a classic movie and a technical tour de force. But it’s not the kind of technique that draws attention to itself. In this episode I look at Hitchcock’s use of the Kuleshov effect and explain the stealthy power of fundamental film technique that anyone thinking of making a video drama should be aware of.

Episode 2, It’s a Sin
In which I look at Channel 4’s flagship “issue drama” and its lessons for L&D. Stories are moral, but you don’t always have to draw them to a conclusion. You message is strongest when you make your audience work to make meaning.Plus, how to dramatize exposition.
