In L&D there is a widespread misconception that if you make a character bland, uncharacterised,or even not there, (by dint of putting the camera in the position of the protagonist), this willmaximise empathy. That isjust wrong. In this analysis I show how the Breaking Bad pilot episode creates a drug-dealing killer who isa sympathetic human being.

Episode 1, Jaws
In this episode I draw two lessons from Jaws that we can apply to drama in learning: 1. How story builds context toallow a viewer to create their own meaning2. How to create character conflict without painting either character as “bad”.
