GambitIn which I revealhow this exemplary show articulates point-of-view. There’s a misguided tendency in L&D to equate literal point-of-view with the creation of empathy. Point-of-view in drama doesn’t work like that and here’s why.

Episode 2, James Bond
Exposition is necessary in drama, but it’s a necessary evil. In the exchanges between 007and Q the Bond movies show how we can “make exposition into ammunition”with character.