GambitIn which I revealhow this exemplary show articulates point-of-view. There’s a misguided tendency in L&D to equate literal point-of-view with the creation of empathy. Point-of-view in drama doesn’t work like that and here’s why.

Episode 2, It’s a Sin
In which I look at Channel 4’s flagship “issue drama” and its lessons for L&D. Stories are moral, but you don’t always have to draw them to a conclusion. You message is strongest when you make your audience work to make meaning.Plus, how to dramatize exposition.
